About | Archive | Blog | Featured Content | Films | Library | Links

Copyright Communism?

Kevin Carson
Center for a Stateless Society
May 15, 2009

In a 2005 interview, Bill Gates dismissed the free culture/open source movement as “some new modern-day sort of communists who want to get rid of the incentive for musicians and moviemakers and software makers under various guises.”

Never mind Gates’ own hypocrisy on the subject. Never mind that he developed Microsoft’s BASIC compiler by a classic open source method: “The best way to prepare is to write programs, and to study great programs that other people have written. In my case, I went to the garbage cans at the Computer Science Center and I fished out listings of their operating systems.” Never mind that this enthusiastic dumpster diver had the nerve to write a letter to the Homebrew Computer Club Newsletter in 1976, whining that the widespread infringment of BASIC was taking food out of his mouth (”most of you steal your software”) — despite being a multi-million dollar trust fund baby from birth.

Never mind what Gates practiced. Many a fortune founded in robbery has been sanctified by time.

What matters, rather, is what he preaches: if you don’t believe a return on effort should be guaranteed by the state, you’re a communist.

But as the American individualist anarchist Benjamin Tucker observed more than a century ago, removing privilege and monopoly means that free market competition will cause the benefits of innovation to be “socialized.”

The normal process, in a free market without entry barriers, is for an innovator to derive short-term economic rents from being the first on the market, and for those rents then to decline to nothing as competitors adopt the innovation and drive price down to production cost.

So anyone who believes in genuinely free markets is a “communist.”

As many critics of “intellectual property” have pointed out, the term is inherently self-contradictory. “Intellectual property” is fundamentally at war with the principles of genuine private property. “Intellectual property” can only exist by infringing the rights of genuine, tangible property. Copyrights and patents give the holder a de facto ownership right in other people’s physical property, and prevents prohibits them from using their own property in ways that the copyright or patent holder has been granted a monopoly on.

And the reason for this, if you examine the assumptions behind IP law, is that the “artist” or “innovator” has a right to state-guaranteed returns on his investment or effort.

So if we’re Copyright Communists, then Bill Gates and his good buddies at the RIAA and MPAA are Copyright Nazis.

Fascism is a system in which government guarantees a profit to favored business interests by protecting them — at gunpoint — from market competition.

The Copyright Nazis believe the creator’s right to a profit trumps the right of people to enter the market freely and use their own property as they see fit.

We Copyright Communists believe everyone has the right to do what he wants with his own property, and that nobody is entitled to a profit from the state.

Copyright Nazism, on the other hand, is “socialism” of the perverse kind described by Noam Chomsky: socialized cost and privatized profit. The real and genuine property of the many — their property in the fruits of their own labor, and their right to do with it as they will — is “socialized” for the benefit of the privileged. Bill Gates’ watchword, in short is Adam Smith’s “vile maxim of the masters of mankind,” frequently quoted by Chomsky: “all for ourselves .. and nothing for other people.”

Another Adam Smith quote that’s relevant to the Copyright Nazis: “‘People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public, or in some contrivance to raise prices.”

I declare myself the enemy of Gates, the MPAA and RIAA, and a friend of Adam Smith.

If this be communism, then make the most of it.

C4SS Research Associate Kevin Carson is a contemporary mutualist author and individualist anarchist whose written work includes Studies in Mutualist Political Economy and Organization Theory: An Individualist Anarchist Perspective, both of which are freely available online. Carson has also written for a variety of internet-based journals and blogs, including Just Things, The Art of the Possible, the P2P Foundation and his own Mutualist Blog.

Related Articles

How the Creative Process Works
Robert Lindsay Nathan, Jr., Ludwig von Mises Institute, 05.27.2009

Book Review: Against Intellectual Monopoly by Michele Boldrin
The Mises Review, Volume 15, Issue 1, Spring 2009

Copyright and Innovation
Timothy B. Lee, Cato Unbound, 06.30.2008

Two Paths for Copyright Law
Timothy B. Lee, Cato Unbound, 06.11.2008

The Future of Copyright
Rasmus Fleischer, Cato Unbound, 06.09.2008

Buy New & Used Titles at Alibris

Liberty Links

Boston Tea Party

Cato Institute

Campaign for Liberty

Education for Freedom

FAIR USE NOTICE. Many of the stories on this site contain copyrighted material whose use has not been specifically authorized by the copyright owner. We are making this material available in its efforts to advance the understanding of public policy, world events, human rights, economics, and health. We believe this constitutes a 'fair use' of the copyrighted material as provided for in Section 107 of the US Copyright Law. If you wish to use such copyrighted material for purposes of your own that go beyond 'fair use,' you must obtain permission from the copyright owner.

COPYRIGHT NOTICE: IndyTruth does not make legal copyright claims to its original content, on the principle that readers should be able to freely spread information for educational purposes. If you repost anything, please respect our hard work by crediting the author and linking to the original source.